Katerina Mukhina
Writer. Researcher. Adventurer

Katerina Mukhina

Art

The Bed Frame Story

A marketplace purchase spirals into a surreal encounter with three strange men, a house of fake Klimt paintings and gaudy antiques and a reincarnation of David Bowie if he was 70. The real horror? Realizing why we ignore danger: fear of rudeness outweighs survival instinct. J just laughs and fixes everything.

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Michelangelo’s David

Just a second date—sitting in his car, facing each other, his beauty lit by the glow of the headlights. He looks like one of Michelangelo’s marble statues—a pure, ideal masculine body, the kind we were shown at school as the standard of perfection. Finally found in real life. The rush of first love, driven by hormones and attraction, will eventually fade. But he has a different idea.

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Above the gravel pit” Emily Carr 

Emily Carr’s – famous Canadian artist from Victoria, British Columbia – last painting, captures the sweeping skies and textured, root-strewn landscapes of Mount Douglas near Victoria. Painted in 1942, it reflects her mature style and spiritual connection to British Columbia’s wilderness. Now at the Vancouver Art Gallery, the work embodies Carr’s Post-Impressionist influences and enduring reverence for the West Coast’s forests, and Indigenous heritage.

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